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#typography

17 posts16 participants2 posts today

A kaleidoscope of butterflies for #WorldButterflyDay. It’s also #PiDay so I feel this the symmetries of this print which I laid out with a compass and some geometric tricks, seems apt.

There are three each of the orange Isabella’s Longwings (Nymphalidae Eueides isabella), three yellow Eastern tiger swallowtails (Papilio glaucus), and three blue Red-Spotted Purples (Limenitis arthemis astyanax) in this #linocut kaleidoscope.⠀

#printmaking #sciart #butterflies #typography #mastoart #insect

Editorial question: Do you render text written in non-Latin scripts in italics, in the same way that I'd do with, for example, a phrase in another language that's written in Latin script?

I have a short phrase in Greek (among other scripts), subsequently translated, and am wondering if the italics are necessary since it's obvious it's a different language.

Introducing a new series of facsimiles that brings the best of our specimen collection to type fans everywhere. The first titles, devoted to Lucian Bernhard, Roger Excoffon, and Aldo Novarese, provide close-up and comprehensive deep-dives into the world of twentieth-century type through their foundry’s original booklets. Dig into the details with editor Chris Westcott: letterformarchive.org/news/ins

Letterform Archive · Inside the Type By series: Bernhard, Excoffon, and NovareseThree volumes of rare specimen facsimiles lift the curtain on twentieth-century type, gathering essential documents of trendsetting faces as they were first meant to be seen.

#Fediverse, I need your help again!
tl; dr: I need a font maker software!

I'd like to convert my handwriting into a font for my research output, as I'd like to maintain my personal handwriting in my sketchnotes but I'd like the written notes to be text.
I'm already very familiar with vector graphics and lettering but never made a font so would love an open source/free font design software to start.

Replied in thread

@celiason Reminds of the Jeremy Nguyen cartoon where the optician is pointing at the board with letters in different typefaces, while the person being examined is covering an eye and saying:

"Courier New, Gill Sans, Luminari, Adobe Caslon, Trebuchet, Times New Roman, Futura."

Reproduced with permission here: bl.ag/ay-caramba-its-cartoon-t

BLAG Magazine: Adventures in Sign Painting Craft, Community & Culture · ¡Ay, Caramba! It's Cartoon TimeCollection of humourous cartoons with sign painting, lettering, type, and calligraphic themes.

#typographie #graphisme #genre
#typography #graphism #gender
Conférence d’Alice Savoie, sur le projet de recherche « Women in type », qu’elle a mené de 2018 à 2021 à l’Université de Reading, financé par le Leverhulme Trust, sous la direction du Prof. Fiona Ross.

Ouvert à tous. Nombre de places limitées, inscription à : bibliotheque@ecole-estienne.fr
Jeudi 13 mars, 18h-20h, École Estienne - Amphi Charlie - 18 Bd Auguste Blanqui, 75013 Paris

Elaine Lustig Cohen (1927–2016), catalog cover for the Holt, Reinhart and Winston, Inc. publishing company, 1965.

Lustig Cohen’s design career began quite unexpectedly. In 1955 her husband, Alvin Lustig, passed away. At 28 years old and with no formal training, she took on the clients and projects that her husband left behind. She soon established herself as one of the leading designers of the 1950s.

More: letterformarchive.org/news/thi

@filip Blažek and Linda Kudrnovská’s seven-part documentary series on Czech design is now online with English subtitles: identitaproject.com/#content_p

I especially enjoyed the segment on movie posters in Episode 2 (with an appearance from Zdeněk Ziegler, who sadly passed away before the series was complete) youtu.be/WEZ39WCdlKk?si=vbGFDl

(Ziegler on @FontsInUse: fontsinuse.com/designers/5045/)

identitaproject.comidentita – příběh českého grafického designu